Paperback
Condition: New
With an Introduction and Notes by Dr Sally Minogue
The Thought Police, Doublethink, Newspeak, Big Brother – 1984 itself: these terms and concepts have moved from the world of fiction into our everyday lives. They are central to our thinking about freedom and its suppression; yet they were newly created by George Orwell in 1949 as he conjured his dystopian vision of a world where totalitarian power is absolute. In this novel, continuously popular since its first publication, readers can explore the dark and extraordinary world he brought so fully to life.
The principal characters who lead us through that world are ordinary human beings like ourselves: Winston Smith and Julia, whose falling in love is also an act of rebellion against the Party. Opposing them are the massed powers of the state, which watches its citizens on all sides through technology now only too familiar to us. No-one is free from surveillance; the past is constantly altered, so that there is no truth except the most recent version; and Big Brother, both loved and feared, controls all. Even the simple act of keeping a diary – as Winston does – is punishable by death. In Winston’s battle to keep his freedom of thought, he has a powerful adversary in O’Brien, who uses fear and pain to enter his very thought processes. Does 2+2 = 4? Or is it 5? We find out in Room 101.
Nineteen Eighty-Four was Orwell’s last novel; but the world he created is always with us, as successive generations of readers find within it a mirror for their own times and a warning for the future.
Also includes the following selection of Orwell's essays, column extracts and broadcasts: A Hanging; Spilling the Spanish Beans; Reviews of Jack London, The Iron Heel; H. G. Wells, When the Sleeper Awakes; Aldous Huxley, Brave New World; Ernest Bramah, The Secret of the League ; England Your England; Looking Back on the Spanish War; Arthur Koestler; The Prevention of Literature; Politics and the English
Paperback
Condition: New
With an Introduction and Notes by James Fowler, Senior Lecturer in French, University of KentCandide (1759) is a bright, colourful literary firework display of a novella. With sparkling wit and biting humour, Voltaire hits several targets with fierce and comic satire: organised religion, the overweening pride of aristocrats, merchants' greed, colonial ambition and the hopeless complacency of Leibnizian philosophy that believes 'all is for the best in the best of all possible worlds'. Through this rites of passage story, with his central character, Candide, a naive and impressionable young man, Voltaire attacks the social ills of his day, which remarkably remain as pertinent now as ever.Zadig is a tale of love and detection. Edgar Allan Poe was inspired by this story when he created C. Auguste Dupin in 'The Murders in the Rue Morgue', a story which established the modern detective fiction genre. The Ingenu recounts how a young man raised by Huron Indians discover the ways of Europe. Nanine is a sharp three act comedy concerned with marital dilemmas. In all these works Voltaire manages to combine humour with trenchant satire in a highly entertaining fashion.